On the platform, waiting for the train, he wants
fish for dinner, berries for dessert, when a bird
darts across his plane of vision, and disappears
under the overhang of a falling-down
garage. Maybe to her nest, a wreath
pulling warmth in, even as the sky
swallows and spits wet dark
over her world, over his.

He plants a spear stance with commuters
angled into wind and rain. Wonders
how this small body withstands
such sudden wrath. Does he mean the bird?
Or himself? Because surely this man
understands relativity, how his math
may be many times hers, but not much
compared to whales and moons
for whom such weather amounts
to a pleasant spray, cool
on the cheek.

Or there’s the smaller immunity
of those who live completely inside
leaf fold or crevice of bark, spared
by providence of physics, and the trajectories of luck
that make hail into meteor showers far off enough
to go unnoticed by crevice citizens.
They go on, mind their business, and trust
the light that reflects off the aluminum
drainpipe will come again to heat
their world, as it has done, day
after day, like bells on a string
chiming their faith.

On the platform, he remains standing, a man
who’s amplified his eye via telescope
to search skyward for a third-grade picture
of himself as part of a cosmos, cheered on
by more distant stars. He’s magnified his right
to examine microscopic landscapes of fibers
the size of trunks, and reasoned
if things go outward and inward
so easily, they might go farther still
in both directions, making him god
and insect simultaneously. So he waits

for the storm to pass, scene to change, new planes
to shift like cells in a filmstrip
blinking by, as his eye goes and comes
back to itself, having retrieved
three new birds rising in flight
against the old factory, their bodies
lifted by the wind.
one logo

Blink was originally published in issue 7 of One from Jacar Press.

Photo cc Thomas Milne on Flickr.